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Hand Made Mineral Pigment:
Often I have to make 3-4grams of pigment with different colors for a faster process to save time. Today I am using around 4 grams of malachite Ochre green and some other color mixed.

For the Great Tibetan Master Painters, Pigment knowledge and understanding of the color is dependent upon individual artist based on their individual character and experience while the nature and origin of the color formation is same.

Photo by Pema Rinzin

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Ana Velasco’s brush work in progress. This will be her second last sketch work from the first course. Ana is a painter with an MFA from the School, the Museum of Fine Arts in Boston.
Photo courtesy of Pema Rinzin. Contemporary Tibetan Artist, founder, critic and teacher at New York Tibetan Art Studio.

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