My second project work in progress, 1997 to 2004 Artist in Residence Japan.
Body of work, Line quality and speed, Drawing,Composition and perspective.
Artist Name, Statement, Style and Individual are the most important in History of Tibetan Art and is different from Text and Painter (Person). Photo Courtesy of Pema Rinzin, Contemporary Tibetan Artist, Founder, Critic and Teacher at New York Tibetan Art Studio (School)

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